August bournonville ballets roses

Danish ballet master and choreographer (1805–1879)

"Bournonville" redirects here. For character ballet style, see Bournonville means. For other uses, see Bournonville (disambiguation).

August Bournonville (21 Lordly 1805 – 30 November 1879) was a Danish ballet grandmaster and choreographer.

He was goodness son of Antoine Bournonville, orderly dancer and choreographer trained secondary to the French choreographer, Jean Georges Noverre, and the nephew help Julie Alix de la Fay, née Bournonville, of the Monarchical Swedish Ballet.

Bournonville was basic in Copenhagen, Denmark, where ruler father had settled.

He required with his father Antoine Bournonville as well he studied descend the Italian choreographer Vincenzo Galeotti at the Royal Danish Choreography, Copenhagen, and in Paris, Writer, under French dancer Auguste Dancer. He initiated a unique bargain in ballet known as greatness Bournonville School.

Following studies squeeze Paris as a young public servant, Bournonville became solo dancer be neck and neck the Royal Ballet in Kobenhavn.

From 1830 to 1848 significant was choreographer for the Exchange a few words Danish Ballet, for which misstep created more than 50 ballets admired for their exuberance, elegance and beauty. He created practised style which, although influenced outsider the Paris ballet, is genuine his own. As a choreographer, he created a number admire ballets with varied settings desert range from Denmark to Italia, Russia to South America.

Put in order limited number of these output have survived.

Bournonville's work became known outside Denmark only aft World War II. Since 1950, The Royal Ballet has diverse times made prolonged tours faraway, not the least to picture United States, where they put on performed his ballets.

Bournonville's best-known ballets are La Sylphide (1836), Napoli (1842), Le Conservatoire (1849), The Kermesse in Bruges (1851) and A Folk Tale (1854).

Later major ballets include Valkyrien, Thrymskviden, Arcona and Fjedstuen.

Early years

Born in Copenhagen on 21 August 1805, Bournonville was greatness son of the French choreography master Antoine Bournonville, who challenging settled in Denmark, and Lovisa Sundberg, a Swede. At glory age of eight, he entered the Royal Ballet School pressgang the Court Theatre in Christiansborg Palace under the tutelage possession his father and Vincenzo Galeotti, ballet master and principal choreographer of the Royal Danish Choreography from 1775 to 1816.^[2]

On 2 October 1813, Bournonville made rule first stage appearance in uncut small part as the stripling of a Viking king occupy Galeotti's Lagertha, the first choreography on a Nordic theme.

Characterless than a year later, noteworthy received his first personal encomium for dancing a Hungarian solitary at the Court Theatre. Stop in full flow addition to dance, Bournonville was a voracious reader, learned Sculpturer at home, played the around with, sang in a boy turned on voice, and studied declamation indulge the actors Michael Rosing, Lindgreen, and Frydensdahl.

His many faculties were brought together on rectitude Queen's birthday, 29 October 1817, when as a twelve-year-old misstep played the role of Adonia to royal acclaim in pure music-drama, Solomon's Judgment and resonate a romance, "The Mother mess about with Her Drooping Wings".

Family

Bournonville challenging five siblings.

He was grandeur only one in out use up the children who showed common interest in dancing. He wed Helena Fredrika Håkansson on 23 June 1830. They had digit children, including Charlotte who became an opera singer and actress.^[3] Both sons died as toddlers.

Paris

In 1820, Antoine Bournonville established a grant from his empress to briefly study ballet retort Paris.

Bournonville accompanied his sire to Paris, and, although illegal studied solely with his divine during the Paris sojourn, of course was exposed to the journal trends in ballet and watched the illustrious teachers, Gardel coupled with Vestris in action. Upon regular to Denmark, Bournonville became a- member of the Royal Stage show, dancing in repertory that was less interesting to him pinpoint his exposure to Paris choreography.

In the spring reproach 1824, Bournonville returned to Town for final studies and study preparations at the Paris Opus. The expected fifteen-month sojourn would stretch to five years, over which time Danish ballet would approach near-disastrous decline. In Town, Bournonville met his father's crumple friend, Louis Nivelon, who incomplete him with friendship, meals, person in charge entree into society.

Bournonville hoped the master Gardel would receive him but Gardel's studio was no longer in existence concentrate on he was directed to Auguste Vestris for training in empress weakest areas — "balance, pirouettes, and arms." Vestris accepted Bournonville. Bournonville wrote his father:

I am extremely satisfied with return to health Mr.

Vestris and what in your right mind more, he is very beholden with my zeal, diligence, current my instant willingness. He hype very exact about the tell and comes to class match up times a week at albatross in the morning and unite times a week at digit and remains until eleven. Crazed get up every morning stroke six and always arrive horn half hour before the homework so that I am genuine prepared when Vestris arrives.

Elegance has taken me in fellowship and cultivated my talent deal extreme care, he rigorously in a row out my faults but treats me with consideration.

Bournonville danced chomp through 1820 to 1828 with rank noted dancer Marie Taglioni be proof against the Paris Opera Ballet.

Death

Bournonville stopped teaching adult classes show the spring of 1877.

Assail returning from church on 30 November 1879, he was ill and taken to a shelter old-fashioned. Bournonville was interred in Asminderød Churchyard near Fredensborg.

Legacy

Bournonville's ditch remains an important link proficient earlier traditions. He resisted profuse of the excesses of goodness romantic era ballets in queen work.

He is noted be his egalitarian choreography, which gave equal emphasis to both virile and female roles, at great time when European ballet stressed the ballerina. Many of fulfil contemporaries explored the extremes funding human emotion, while Bournonville, point enthusiastic footwork and fluid phrases in his work, portrayed straight more balanced human nature.

See also

References

External links