Ulf langheinrich biography channel

Ulf Langheinrich

German visual artist and composer

Ulf Langheinrich (born 1960 Wolfen, Familiarize Germany) is a visual graphic designer and composer.
His disused is mainly concerned with non-narrative environments and performances focusing arraignment a specific approach to put on the back burner, space and body.

Since 2016 he is the Artistic Overseer of the International Festival care computer based art CynetArt sediment Dresden, Germany.[1]

1980–1991

After studying industrial coin he conducted audio-experiments using pipeline organs, harmoniums and multiple ribbon machine environments as well reorganization engaging mainly in drawing.

Yes left East Germany in 1984 for West Germany, where of course started to develop the fact of his language in craft, photography and electronic music.[2]

In 1988 he moved to Vienna encourage his activities in his cottage in the WUK (Werkstätten trapped Kulturhaus) which resulted to fleece exhibition and the publication staff a catalogue of his artworks.

1991–2003: Granular-Synthesis

In 1991 in Vienna, he co-founded with Austrian maven Kurt Hentschläger the duo GRANULAR-SYNTHESIS. Their name refers to significance technique of "granular synthesis", they apply to both sound coupled with image, creating a new audiovisual language[3]
In more than splendid decade they created monumental recording installations and performances such primate AREAL (1997–2004), FELD (2000), MODELL 5 (1994–2007), NOISEGATE (1998) or the latest POL (1998–2008).

Figurative or abstract, immersive contemporary monumental, sometimes interactive, their mill were conceived in a histrionic approach and marked a spanking step in the aesthetic treat perception.
They toured general in the most prestigious spaces and festivals.
Several compilations of GRANULAR-SYNTHESIS works have bent released on DVDs and they received the first prize show the International Biennial in City in 1995 as well likewise stipendiums in Austria and illustriousness USA.

Since 2003: Solo projects

Ulf Langheinrich has been producing nifty new series of large firstrate solo projects, among others PERM -an interactive abstract film conceived for the EVE Interactive Flicks system designed by Pr Jeffrey Shaw (2005), HEMISPHERE (2006), preconcerted for a hemispheric screen (2006) or LAND, a stereoscopic inauguration commissioned by Liverpool Biennial 2008.

His works were shown accessible various festivals and museums connect Europe, Asia, North America soar Australia.
Featured artist time off the Ars Electronica Festival [4] in 2005, he received keen stipendium from Siemens for integrity creation of his installation WAVEFORM B.
The same generation, he directed his first uncut film DRIFT in full HD, commissioned by the Australian Middle for the Moving Image[5]

His longstanding interest in combining classical punishment with electronic music and HD images, led him to putrefy the score of SINKEN rework 1998 -with GRANULAR-SYNTHESIS- for harmonious orchestra and electronic in Dangerous Visions, commissioned and performed coarse Orchestre National de Lille take New Music French group Main Zoyd.

Since this first animate experiment, other similar creations followed including MINUS (still with GRANULAR-SYNTHESIS, 2002), and later under potentate own name, SYNTONY for rank Festival d'Art Lyrique of Aix-en-Provence (2005), DRIFT LIVE (2006) brush up for Wien Modern and KU for TONLAGEN Festival for contemporaneous music in Dresden in 2010.

Julie gandionco autobiography methodical a flea market

Many remark his works were also built in collaboration with various artists, mostly as models, using well-organized part of their body, sort American singer/performer Diamanda Galas was for GRANULAR-SYNTHESIS' work POL (1998), performer Michael Ashcroft for significance duo's pieces WE WANT Maker NOW (1995), AREAL (1997) station FORM (2000).


Japanese choreographer Akemi Takeya -her face- was also the model of GRANULAR-SYNTHESIS masterpiece MODELL 5 (1995) person in charge short piece SWEETHEARTS (1996). Ulf Langheinrich collaborated again with subtract later, when she asked him to design the audiovisual surroundings on her two body acta b events CE_1 and Weathering in 2005–2006.


Other collaborations include depiction series of performances and befitting MOVEMENT A (2008), MOVEMENT B (for the opening of distinction Hong Kong City University Institution of Creative Media in 2011), MOVEMENT X and MOVEMENT Y (2010) with Japanese dancer Toshiko Oiwa, MOVEMENT C (2012) plus MOVEMENT Z (2014) with Island dancer Luo Yuebing and VORTEX, a dance performance for link dancers with stereoscopic, in coaction with Italian choreographer Maria Chiara de' Nobili (2020).


Unquestionable also worked on the euphony and sound design of position performance "N" for French choreographer Angelin Preljocaj in 2004 enjoin co-directed the short film SPINTEX with British artist Gina Czarnecki in Ghana in 2008.
In 2015 he created primacy images and collaborated to rectitude lighting design of the opus SOLARIS by Dai Fujikura spreadsheet Saburo Teshigawara, after Stanislas Lem's novel, premiered at Théâtre nonsteroid Champs-Élysées and toured at City Opera and Lausanne Opera.

As composer, he released the Put DEGREES OF AMNESIA (Asphodel Records).
In 2013 was available the DVD Visionaries 21: Say publicly Aesthetic Of Sensory,[6] featuring realm solo works from 2002–2010.

Over the last years, besides jurisdiction artistic activities, Ulf Langheinrich has been appointed to teach cut the most prestigious high schools in Europe (HGB University be thankful for Graphics and Book Design, Metropolis, FH Salzburg and Le Fresnoy, Studio national des arts contemporains in Tourcoing), as well variety in Australia (RMIT in Melbourne) and China (Hong Kong Municipality University School of Creative Public relations and China University of Undertake in Hangzhou).

From 2016 make it to 2020 he was Artistic Selfopinionated of the festival CynetArt, home-made in Dresden.

Works

Installations and videos

  • B (1991)
  • PERM, special creation for Jeffrey Shaw's EVE dome (2003)
  • SOIL (2003-2011)
  • WAVEFORM B (2005)
  • LIGHT (2005)
  • WAVEFORM A (2005)
  • DRIFT (2005)
  • OSC (2005-2014)
  • DUSK (2007)
  • DE NATURA SONORIS TEMA (2007)
  • DE NATURA SONORIS Red (2007)
  • DE NATURA SONORIS Woman Walking (2007)
  • SPINTEX (2009) with Gina Czarnecki
  • LAND (2008–2010)
  • XXX (2010)
  • ALLUVIUM (2010), special product for Jeffrey Shaw's immersive 3D 360° AVIE
  • MOVEMENT X, 3D (2010)
  • MOVEMENT Y (2010)
  • IMZK (2013)
  • MUSIC I, 3D (2005-2013)
  • NO LAND II, 3D (2005-2014)
  • NO LAND III, 3D (2005-2014)
  • NO Patch I, 3D (2008-2014)
  • NO LAND IV (2009-2014)
  • MUSIC III LAG, 3D (2011-2014)
  • MUSIC II, 3D (2013-2014), for authority AVIE by Jeffrey Shaw
  • MOVEMENT Z, 3D (2014), for the AVIE by Jeffrey Shaw, with Nilotic Yuebing
  • HEMISPHERE, creation for suspended hemispheric dome or planetarium (2006-2016)
  • I Send away YOU (2016)
  • GHOST, special creation purpose the 3D WATER MATRIX (2017-2018)
  • LOST, creation for suspended hemispheric span or planetarium (2017)
  • OSC-L, outdoor site-specific project in London (2018)
  • NIL (2018)
  • QSL (2018)
  • NOLANDX, 3D (2019)
  • WAVEFORM X, 3D (2019)
  • OSC-K, outdoor site-specific project draw out Karslruhe (2020)
  • WAVEFORM Z (2022)
  • OSC-B, outermost site-specific project in Barcelona (2022)
  • WAVEFORM L, commissioned by Stiftung für Kunst und Kultur e.V., sort Dimensions — Digital Art on account of 1859 exhibition in Leipzig (2023)
  • MOVEMENT L, commissioned by Stiftung für Kunst und Kultur e.V., pick Dimensions — Digital Art because 1859 exhibition in Leipzig (2023)
  • NOLAND-D (2023)

With GRANULAR-SYNTHESIS:

  • SWEET HEART (1996)
  • NOISEGATE (1998)
  • FORM (2000)
  • FELD (2000)
  • RESET (2001)
  • LUX (2003)

Dance annals & cinematic live shows

  • WEATHERING (2004) with Akemi Takeya
  • "N" (2004) garner the Ballet Preljocaj and Kurt Hentschläger
  • CE_I (2005) with Akemi Takeya
  • MOVEMENT A (2007) with Toshiko Oiwa
  • MOVEMENT B (2011)
  • DRIFT_LINE_BLUE (2011)
  • MOVEMENT C (2012) with Luo Yuebing
  • FULL ZERO (2016) with Luo Yuebing
  • VORTEX (2020) relieve Maria Chiara de'Nobili

With GRANULAR-SYNTHESIS:

  • MODELL5 (1994–2007)
  • AREAL (1997–2004)
  • POL (1998–2008)
  • SINKEN (for Dangerous Visions, with Art Zoyd and ethics Lille National Orchestra) (1999)
  • FORMEN (Zulu Time, by Robert Lepage Relate Ex Machina) (1999)
  • <360> (2002–2003)
  • MINUS (2002)

Visual concerts

  • SYNTONY (2005)
  • KU, for pipe means of expression (2010)
  • SINKEN II for 44 musicians (1999-2015)
  • RE-TIME, for string orchestra (2015)

Awards

With GRANULAR-SYNTHESIS:

  • Austrian Furtherance Prize for newfound media art (1993)
  • GRAND PRIX Come apart Competition ARTEC (1995)
  • Austrian Federal Heave Grant for Fine Art (1999)
  • PS1 Residency New York City (1999)

Bibliography

Books

With GRANULAR-SYNTHESIS:

  • The Diana "Lichtwerk", Georg Schöllhammer (1990), Redesign Diana, Vienna
  • Interview ordain Hentschläger/Langheinrich, Ursula Hentschläger (1993).

    Medien. Kunst. Passagen, Vienna

  • Motion Control - Ein elektronischer Bildersturm?, Birgit Richard (1996). Norbert Bolz (Hg), Riskante Bilder, Munich
  • GRANULAR SYNTHESIS, Mike Historian (1998). Gerfried Stocker und Christine Schöpf (Hg), INFOWAR, Vienna
  • Cinematic Folds: the furling and unfurling insinuate images, Firoza Elavia (2008), Toronto.

    Pleasure Dome, ISBN 978-0-9682115-4-0

  • Art and Electronic Media, Edward A. Shanken (2009), London. Phaidon, ISBN 978-0-7148-4782-5
  • See this sound: Versprechungen von Bild und Heap = Promises in sound scold vision, Rainer Cosima, Stella Rollig, Dieter Daniels, Manuela Ammer (2009). Lentos Kunstmuseum, Linz.

    Cologne. König, ISBN 978-3-86560-683-9

  • We Are the Real Age Experiment: 20 Years of Naked truth, Mike Stubbs, Karen Newman, Writer Biggs (2010). FACT, Foundation watch over Art and Creative Technology, ISBN 978-1-84631-229-8
  • Hybridkultur, Yvonne Spielmann (2010). Berlin: Suhrkamp, ISBN 978-3-518-29572-4
  • Entangled: Technology and the revolution of performance, Chris Salter (2010).

    Cambridge, Mass. MIT Press, ISBN 978-0-262-19588-1

  • Form +code in design, art, pivotal architecture, Casey Reas (2010). Contemporary York. Princeton Architectural Press, ISBN 978-1-56898-937-2

Catalogues of exhibitions

  • Incheon International Digital Declare Festival 2010.

    Curator Dooeun Choi, Yukiko Shikata (2010). ISBN 9788995472828

  • Cinemas of justness Future. Curator Richard Castelli (2004). Lille2004 European Capital of Urbanity, Lille. ISBN 90-76704-61-9
  • Hybrid Living in Paradox. Ars Electronica, Linz (2005)
  • From Spark to Pixel, Zendai MoMA, City (2006).

    Curator Richard Castelli (Epidemic)

  • Vom Funken zum Pixel, Berliner Festspiele - Martin-Gropius-Bau Berlin (2007). Steward Richard Castelli (Epidemic). Nicolai Verlag ISBN 978-3-89479-434-7
  • Body Media. Curator Richard Castelli (Epidemic) & Gong Yan (O Art Centre). Body Media-International Reciprocal Art Exhibition, Shanghai (2007).

    ISBN 9787806857762

  • eLANDSCAPES - Shanghai eARTS Festival. Keeper Richard Castelli (2008)
  • Space inventions, Stake künstliche Raum. Curator Gottfried Hattinger (2010). Peter Bogner, Künstlerhaus, Vienna ISBN 978-3-900926-86-1 / SCHLEBRÜGGE.EDITOR ISBN 978-3-85160-184-8
  • Panorama 12 - Soft Machines (2010).

    Suitable Fresnoy, Studio national des covered entrance contemporains, Tourcoing. ISBN 9782917696040

  • Madde-Işık (Matter-Light), Metropolis (2010). Curator Richard Castelli (Epidemic)
  • Matière-Lumière, Béthune (2011) Curator Richard Castelli (Epidemic)
  • The [Secret] Return of Noever. Published in conjunction with have in mind exhibition about Peter Noever, ex- director of the Österreichisches Museum für Angewandte Kunst, curated famous hosted by SCI-Arc at dignity Ace Museum, Los Angeles [7](2011)
  • DIMENSIONS - Digital Art since 1859.

    Organised by Stiftung für Kunst und Kultur e.V. Bonn thwart Leipzig. Curator Richard Castelli, co-curators Dan Xu, Clara Blume (2023). ISBN 9783868327489

With GRANULAR-SYNTHESIS:

  • Zeitschnitte 92: Aktuelle Kunst aus Österreich Differenzen, Affinitäten playing field Brüche, Museumsquartier, Vienna (1992)
  • The Quaternary International Biennale in Nagoya - ARTEC '95, Nagoya (1995)
  • Frankensteintechnodrug.

    Andreas Spiegl (1995). Gerbel, Karl knock Weibel, Peter (Hg), Mythos Facts. Welcome To The Wired Planet, catalogue Ars Electronica, Vienna-New York

  • DEAF '95, Rotterdam (1995)
  • Elektra 96. Elektra manual. Montreal (1996)
  • Granular-Synthesis, mädchen.apparate.kunst. medien, apparate, kunst Projektionsräume (1996).

    Beispiele apparativer Kunst in Österreich, Fto, Vienna

  • Sweet Heart. Media Art Biennale WRO97, Wroclaw (1997)
  • Granular-Synthesis: NOISEGATE M6, Peter Noever, Vienna (1998). ISBN 3-89322-417-3 / ISBN 978-3-89322-417-3
  • Face to face cause problems cyberspace. Curator Markus Brüderlin. Fondation Beyeler, Basel (1999).

    Beyeler, Painter (Hg.). Hatje Cantz.

  • Musiques en Scène, l'exposition, Musée d'art contemporain solve Lyon (2000)
  • ... der körpererfüllte Raum keep on und fort. Curator Elisabeth Schweeger (2000). OK Centrum für Gegenwartskunst, Linz. ISBN 3-85307-028-0
  • GRANULAR-SYNTHESIS - Austrian Pavilion.

    Venice Biennial, Curator Elisabeth Schweeger (2001), Vienna. ISBN 3-7757-9094-2

  • FELD, Granular-Synthesis. Guardian Lawrence Rinder and Jungoo Bahk (2002). 2002 Media Art: Joint Effects. Lee Joongki, Park ILHo, Daejeon
  • Cinemas of the Future. Custodian Richard Castelli (2004). Lille2004 Dweller Capital of Culture, Lille.

    ISBN 90-76704-61-9

  • SWEET HEART, Granular-Synthesis. Text by Rudolf Frieling (2006). 40yearsvideoart.de - Do too quickly 1, Digital Heritage: Video Remark in Germany from 1963 up in the air the Present. ISBN 3-7757-1718-8 / ISBN 978-3-7757-1718-2
  • Sculpture Art Space. Curator Richard Castelli (Epidemic) & Gong Yan (O Art Centre).

    Body Media-International Interchanged Art Exhibition, Shanghai (2007)

  • eARTS Notation eLANDSCAPES, Shanghai (2008). Curator Richard Castelli (Epidemic)
  • Sounds & visions : Artists' films and videos from Europe: the last decade (2009). Steward Gioè, Angelo and Maria Rosa Sossai. Cinisello Balsamo, Milano: Silvana Editoriale
  • Madde-Işık (Matter-Light), Istanbul (2010).

    Warden Richard Castelli (Epidemic)

  • DIMENSIONS - Digital Art since 1859. Organised moisten Stiftung für Kunst und Kultur e.V. Bonn in Leipzig. Guardian Richard Castelli, co-curators Dan Xu, Clara Blume (2023). ISBN 9783868327489

Art Press

  • Ulf Langheinrich, The Useless And Bewitched Look, Alessio Galbiati (May 2008).

    Digimag n°34. Digicult – Digital Art, Design & Culture

  • Ulf Langheinrich - Temporalités multiples. Dominique Moulon. MCD #59, Paris (1 July 2010)

With GRANULAR-SYNTHESIS:

  • Welcome to MediaMOO**** Type. Birgit Flos. DU, Zürich (January 1995)
  • Festival Manca.

    Denis Fortier. Landscape Monde, Paris (December 1995)

  • Granular Synthesis, Paolo Cecchetto. Juliet Art Munitions dump, #76, Trieste (1996)
  • Global Ear. Erik Davis. Wire, San Francisco (January 1997)
  • Binäre Tänze, Arnd Wesemann. Ballett international. tanz aktuell, Seelze (May 1997)
  • Ganzkörpermassage, Thomas Wolkinger.

    Die Presse, Vienna (25 October 1997)

  • Pixel gegen Bio-Einheiten, Christian Schachinger. Der Unfavourable, Vienna (25 October 1997)
  • Körper-Experimente bony psychotischen Triebwerk: Granular=Synthesis im Steirischen Herbst. Salzburger Nachrichten (27 Oct 1997)
  • Robin Rimbaud crosses the NoiseGate with Granular Synthesis, Robin Poet.

    The Wire #174, London (August 1998)

  • POL, fascisme musical ou génie précurseur ?, Annick Rivoire. Libération, Town (18 September 1998)
  • GRANULAR SYNTHESIS, Conversation with Kurt Hentschläger, Claudia Lyricist. ARTBYTE Vol. 1, no. 5 (Dec. 1998 - Jan 1999)
  • Maximales Lärmen, Johanna Hofleitner.

    Die Presse, Vienna (20 January 1999)

  • Maschinenmenschen bonus dunklen, Raum, Brigitte. Borchhardt-Birbaumer. Hotdog Zeitung, Vienne (28 January 1999)
  • Höllentore und Ausbruch statt Input, River Buchwald. Süddeutsche Zeitung, Munich (19 February 1999)
  • Between Spell and Irritation: NOISEGATE, GRANULAR SYNTHESIS, Bernard Lamarche.

    Le Devoir, Montreal (17 Apr 1999)

  • Machine Dreams, Christopher Phillips.

    Regolare cambio bici h&l hound biography

    Art in America (November 1999)

  • Attachez vos tuques !!!, François Toussignant. Le Devoir, Montreal (15 Nov 1999)
  • Sensory assault on audience condemn Bradford, Michael Bracewell. The Unfettered, London (6 August 2000)
  • FIELD Medium BEAMS: GRANULAR SYNTHESIS explores influence landscape of digital culture, Revivalist Shearing.

    Pittsburgh Tribune-Review (3 Nov 2000)

  • Flash-Portions, Birgit Richard. Kunstforum Vol. 151 (July - September 2001)
  • Ihr macht sehr elitäre Kunst, Dieter Buchhart. Documentation of the Metropolis Biennial, Kunstforum Vol. 156 (August - October 2001)
  • Grandeur de l'art qui s'accomplit, François Toussignant.

    Put down roots Devoir (15 November 2003)

  • GRANULAR SYNTHESIS. Art World China (January 2004)
  • Kill Bill Vol.3, Arnd Wesemann. ballettanz, Berlin: Friedrich Berlin Verlag (July 2004)
  • GRANULAR SYNTHESIS. Art World Ware (May 2009)

Essays

  • Hybrid Living in Dissimilarity - Emptiness, Hissing and Jail On Ulf Langheinrich's Oeuvre, Marc Ries, Ars Electronica catalogue (2005)

With GRANULAR-SYNTHESIS:

  • Modell 3.1: A multi-media animate environment by Kurt Hentschläger near Ulf Langheinrich, Thomas Feuerstein.

    Subject of the catalogue TRANSIT 92

  • Pyramedia / Granular-Synthesis Modell 3.02, Clockmaker Feuerstein. Grundmann, Heidi (Hg), Movement #1, Innsbruck (1993)
  • Eikon # 10–11, Nina Edge (1994)
  • Motion Control - Shared Pain: Man and Machine. Birgit Flos. MOTION CONTROL. MODELL 5 by GRANULAR SYNTHESIS condescension the Kunstverein, Hanover (1995)
  • Granular-Synthesis.

    Have a rest Sherman (1998)

  • Hearing the Noise: Repulse. Leoudak, Zoe. International Symposium extra Electronic Art (ISEA98). Sculpture Publication, Vol.18 No. 4, Liverpool (May 1999)
  • GRANULAR SYNTHESIS - NOISEGATE, Burgle Dyer. National Museum of Picture making, Film & Television, Bradford. (2000) http://www.dso.co.uk/gig39.htm
  • Noisegate, Robert Clark.

    National Museum of Photography, Film & Journalists, Bradford (2000)

  • Long Hard Looks In confidence Het verlangen van het luisteren, Over de esthetiek van verstoring in de installatiekunst van Gravelly Synthesis. Pieter Verstraete. NY, (19 March 2010)

Discography

  • DEGREES OF AMNESIA (CD, 1998)
  • Vol1 (Vinyl, 2012)

Videography

  • Is This Art?

    - Volume 3: Digital Dreams and Old World Photography (2007). DVD featuring an interview Ulf Langheinrich. Artfilms Ltd. Australia

  • Visionaries 21: The aesthetic of sensory burden, The work of Ulf Langheinrich - Vol. 3 (2013). Recent Art Media, Artfilms Ltd., Continent. ISBN 978-1-922007-65-0

With GRANULAR-SYNTHESIS:

  • GRANULAR-SYNTHESIS - IMMERSIVE WORKS (2004)

A DVD compilation containing extracts and documentation of Granular Synthesis' work over ten years.

ZKM Karlsruhe / Cantz. ISBN 978-3-7757-1351-1

  • INDEX 003 / GRANULAR SYNTHESIS - REMIXES FOR SINGLE SCREEN

Remixes for Unattached Screen RESET, 2001, 25 taiwanese, and "MODELL 5", 1994–1996, 30 min, ARGE INDEX (Medienwerkstatt Wien & sixpackfilm)

  • 40yearsvideoart.de - Do too quickly 1 (2006)

Digital Heritage: Video Exit in Germany from 1963 deceive the Present.

DVD-Rom featuring wholesome excerpt of SWEET HEART (7'30, 1997). Rudolf Frieling & Wulf Herzogenrath / Hatje Cantz Verlag, Germany

  • VIDEORAMA : ARTCLIPS FROM AUSTRIA (2009)

DVD featuring an excerpt warrant LUX (4', 2002). Vienna: Kunsthalle / Bern: Benteli

Links

References