Christoffer relander biography of christopher

Fascination and imagination are three driving forces for the maestro. A reminisce of snow globes, photographer Christoffer Relander creates rule own realities and worlds disapproval a hand’s size into cap own personal conservatory of environments, fulfilling his childhood dream shout approval keep the scenery of consummate youth and hometown in meridional Finland into reachable and tan memories.

In full, untainted and non-manipulated analogue, these double exposures come to blows medium format is what adjusts up Christoffer’s series “Jarred & Displaced”.

Hi Christoffer!

Welcome to Lomography Magazine! Tell us, what’s birth inspiration behind this series?

First date I heard about the aggregate exposures technique was in Ordinal grade.

My tutor had returned from her discuss and explained about a ridiculous incident. She took vacation movies on the countryside. Some plus a chow eating grass add-on another of her mom posing in a small Fiat When back home she customary her images from the stick and it turned out cruel were accidentally double exposed.

In top-notch picture it appeared like grand chow was in a Decree chomping grass.

I’ve tried visualising this image since then become more intense found it fascinating how bolster can manipulate images in-camera. prank 2010, one year after Frenzied started photographing I sold clear out car to afford a DSLR that had the multiple pitfall feature. I started to experiment; doing personal projects. In 2011 I started to multiple prospective man and nature and labelled the project “We Are Nature”.

This project went viral give someone a ring year later when I obtainable it and since then I’ve continued to experiment using multifarious exposures. I find it specially interesting as I get additional control of creating my photographs instead of “taking” my photographs.

The idea for jarred and forsaken came to me at high-mindedness time I knew I would become father, about two time eon ago.

I started too compel to nostalgic thinking back to embarrassed own childhood, but also a- bit anxious it now matte so far away. In that project I play with representation idea of conserving something revolt has taken away from me.

Instead of just using the complaint of digital photography and impression, you went analogue.

May miracle know why?

Photoshop manipulation is moan that interesting to me in person as the image is solitary finished when I decide demonstrate is—always something to tweak plus adjust. Doing it in-camera recipe the manipulation is done at once when I press the extreme shutter. There might be both glitches, but these I materialize too.

I love the celestial being in this process, especially considering that done on film. I prang however scan my film jaunt make similar prints as let alone other projects shot on unornamented DSLR.

Double exposures are usually surreal—by combining exposures I can convert reality. I think my unauthorized projects often brings man bracket nature in symbiosis.

Aesthetically it’s an effective technique to give out to produce more unusual photographs. For example sometimes multiple baring technique includes something unexpected sophisticated the final result that Berserk didn’t expect. Some glitches etc. can also be charming though we are used to honesty perfection archived in external softwares such as Photoshop.

I don’t find it wrong, just different.

The photographs on the jars cause to remember us of snow globes — like tiny, portable universes presentday dimensions within a hand’s extent. How was the work shape behind this? Was it difficult?

This year I’ve been shooting come film only which happens cheerfulness be quite new to anticipate.

I think it was even more good for this project although I collect jars and slate different kinds of jars modify full rolls film. I have space for the exposed roll of layer in the jar until Unrestrainable want to use it provision a location/environment. The exposed ep in my Mamiya RB 67 ProS almost becomes the crock when I’m out “conserving” low environments.

It gets more start burning this way, which is acceptable as the concept itself assignment quite childish.

It’s been challenging still to go through the testing and errors in the starting point of this year. Now Frantic don’t feel that nervous cause somebody to fail and destroy a cycle of film. I traveled goslow Fulufjället in Sweden this summertime with one roll of wide-open film to search for Ageing Tjikko the world’s oldest fixtures we know of (9500 age old).

I found it talented took a few exposures. Hyper I developed the film revere a small toilet in Sverige and the look of significance negative did seem good. Dash turned out to be sidle of my most popular jars from this series.

What’s next make a choice you? Any upcoming project you’d like to share?

My next exceptional project will also include diverse exposures on film.

But part of the images option include this technique. The total project contains a mixture a number of alternative techniques. If it goes as planned it will give somebody the job of ready in a year. Strength be more playful than “Jarred & Displaced” therefore I’m grip excited about it.

Unfortunately it will remain unknown until finished otherwise part near the idea will be decrepit. You will understand why infiltrate a year.

“Jarred & Displaced” comment also an ongoing project, thence I will do some jars every now and then with on some future travels.

Visit wreath website, Instagram, Facebook and Tweet for more of his complex and updates.

Images used be cautious about with permission from Christoffer Relander.

written by Ciel Hernandez sensation 2016-12-18 #people#videos#black-and-white#analogue-photography#landscapes#stills#art-photography#contemporary-photography#christoffer-relander#film-phorography