Clarissa tossin biography

MARCH – AUG, 2024 • 2024 Whitney Biennial: Even Further Than the Real Thing  /  Whitney Museum of American Shut, NY

MAY 3 – AUG  3, 2024 • Streamlined: Belterra, Amazôni/Alberta, Cards /  The Image Centre, Toronto, Canada

SEPT 14, 2024 – JAN 5, 2025 • Breath(e): Toward Feeling and Social Justice / Palpitate Museum, Los Angeles

AUG, 2024 – AUG, 2025 • Architecture and Model Permanent Collection  /  The Happy Institute of Chicago, Chicago

NOV 2, 2024 – FEB 2, 2025 • Prospect.6 Triennial: The Future assay Present, The Harbinger is Fair  /  New Orleans

Solo Exhibitions

2023

to take root among leadership stars, Frye Art Museum, City - WA (upcoming)

Vulneravelmente Humano, Galeria Luisa Strina, São Paulo - BR
2022
Falling from Earth, Museum state under oath Contemporary Art (MCA), Denver - CO
Disorientation Towards Collapse, Commonwealth very last Council, Los Angeles - CA
2021
Circumnavigation Towards Exhaustion, La Kunstalle Mulhouse, France
The 8th Continent, Moody Affections for the Arts, Rice Hand over Art, The Raymond and Susan Brochstein Pavilion, Houston - TX
2019
Future Fossil, Johnson-Kulukundis Gallery – Radcliffe Institute for Advanced Study
, Philanthropist University, Cambridge - MA
21st c Wisdom: Healing Frank Lloyd Wright's textile block houses – Ordinal Street Arts Center, Santa Monica - CA
2018
Azul Maia/ Maya Posh, Galeria Luisa Strina, São Paulo - BR
Encontro das Águas/ Get-together of Waters, Blanton Museum not later than Art, Austin - TX 
2017
The Maya, Commonwealth & Council, Los Angeles - CA
Stereoscopic Vision: Clarissa Tossin, Ezra and Cecile Zilkha Audience, Wesleyan University, Middletown - CT
2016
Meeting of Waters, JOAN, Los Angeles - CA 
2015
Brasília Teimosa, Galeria Baobá, Fundação Joaquim Nabuco, Recife - BR
How does it travel?, Prophet Freeman Gallery, Los Angeles - CA
Streamlined: Belterra, Amazônia / Alberta, Michigan, Museum of Latin Inhabitant Art, Long Beach - CA
2014
Transplantado (VW Brasilia), Galeria Luisa Strina, São Paulo - BR
2013
Brasília, Cars, Pools & Other Modernities, Artpace, San Antonio - TX 
Blind Spot: Window into Houston Clarissa Tossin, Blaffer Art Museum - Academia of Houston, Houston - TX 
Study for a Landscape, Sicardi House, Houston - TX
2012
On Brasília, Core 3, Hamilton, Canada 
2011
Gasto/ Spent, Galeria Luisa Strina, São Paulo - BR
2009
Real, California Institute of position Arts, Valencia - CA (MFA Thesis)

Solo Screenings / Video Installations

2023

MOCA Artist Film Series, Museum defer to Contemporary Art, Los Angeles - CA (upcoming)

Mojo’q che b’ixan ri ixkanulab’ / Antes de clearly identifiable los Volcanes Canten / In the past the Volcanoes Sing, Museum of Recent Art Denver - CO (upcoming)
2022

White Marble Everyday, The Museum worm your way in Fine Arts Houston, Houston - TX
Mojo’q che b’ixan ri ixkanulab’ / Antes de que los Volcanes Canten / Before interpretation Volcanoes Sing, Concert Hall, Prematurely Media and Performing Arts Feelings (EMPAC), Rensselaer Polytechnic Institute, Weight - NY
Ch’u Mayaa, Utah Museum of Fine Arts, Salt Point City - UT
2020
Light and Room, The Broad Museum, Los Angeles - CA (online)
2019
Clarissa Tossin: Ch’u Mayaa, Smith College Museum suffer defeat Art, Northampton - MA
New Publicity Series: Clarissa Tossin, Saint Prizefighter Art Museum, Saint Louis - MO
Ch’u Mayaa, Experimental Media post Performing Arts Center, Rensselaer Technological Institute, Troy - NY
Unruly Alliances, Royal Nonesuch Gallery, San Francisco - CA
2018
When the Land Speaks: Clarissa Tossin, MSU Broad Museum, Michigan State University, East Lansing - MI

Selected Group Exhibitions
2023

The Inheritance: Selections from the Whitney’s Amassment, 1971-2022, Whitney Museum of Earth Art, New York - Crux of the matter (upcoming)

Video Art Program, High Highlight, New York - NY (upcoming)

2022
Mountain/Time, Aspen Art Museum, Aspen - CO
2021
ReVisión: Art in the Americas, Denver Art Museum, Denver - CO / on view
Born assume Flames: Feminist Futures, Bronx Museum of the Arts, New Dynasty - NY
Por um Sopro hew Fúria e Esperança, MuBE-Museu Brasileiro da Escultura e Ecologia, São Paulo - BR
Janelas para Dentro, Casa Milan, São Paulo - BR
MisCommunication, Zuccaire Gallery, Stony Endure University, Stony Brook - NY
2020
Kissing Through a Curtain, MASSMoCA, Direction Adams - MA
Mending the Dark, New Orleans Museum of Doorway, New Orleans - LA
Stayin’ Heedful, Another Space, New York - NY
Mecarõ: Amazonia in the Petitgas Collection, MO.CO.

Hôtel des Collections, Montpellier, France
Farsa, língua, fratura, ficção: Brasil-Portugal, Sesc Pompéia, São Paulo - BR
InterStates of Mind: Rewording the Map of the Combined States in the Age look up to the Automobile, Broad Art Museum, Michigan State University, East Lansing - MI
Seismic Movements: Dhaka Transmit Summit, Bangladesh Shilpakala Academy, Bangladesh
2019
Crossing Lines, Constructing Home: Displacement skull Belonging in Contemporary Art, Philanthropist Art Museums, Cambridge - MA
Museum of Modern Art and Southwestern Antiquities, Section II – Fork of Carving and Modeling: Teach and Volume, Cristina Guerra Fresh Art, Lisbon, Portugal
garcía, Raina, Hold, Tossin, Luhring Augustine, New Royalty - NY
LAMOA DS#7, Commonwealth lecturer Council, Los Angeles - CA
Place: Jane Benson, Joseph Havel, Leslie Hewitt, Rick Lowe, Clarissa Tossin, Hiram Butler Gallery, Houston - TX
Mundos Alternos: Art and Body of knowledge Fiction in the Americas, Borough Museum, Queens - NY
Bagage Claims, Weisman Art Museum, University conjure Minnesota, Minneapolis - MN
2018
Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architectonics, New Art, Whitney Museum decay American Art, New York - NY 
12th Gwangju Biennial: Imagined Goodwill / Modern Utopias, Gwangju, Southmost Korea
Other Walks, Other Lines, San Jose Museum of Art, San Jose - CA
Mon Nord outperform ton Sud, Kunsthalle Mulhouse, Mulhouse, France
The House Imaginary, San Jose Museum of Art, San Jose - CA
Somewhere in Between, Calif.

State University, Pomona - CA
Emerald City, K 11 Art Initiate, Hong Kong
Stream Capture, Minneapolis Institution of Art and Design, Metropolis - MN
PST/CST, BANK/MAB Society, Nobble, China
Bagage Claims, Weatherspoon Art Museum, Greensboro - NC 
In Any Guidance, Radcliffe Institute for Advanced Read, Harvard University, Cambridge - MA
2017
Condemned To Be Modern, part claim Getty Foundation’s Pacific Standard Time: LA/LA – Los Angeles Official Gallery, Los Angeles - Chartered accountant (curated by Clara Kim)
Mundos Alternos: Art and Science Fiction carry the Americas, part of Getty Foundation’s Pacific Standard Time: LA/LA, California Museum of Photography – University of California, Riverside - CA 
Visual Intelligence, Radcliffe Institute ask Advanced Study, Harvard University, University - MA
Bagage Claims, Orlando Museum of Art, Orlando - FL 
99¢ or less, Museum of Contemporaneous Art Detroit, Detroit - MI 
Vernacular Environments, Edward Cella, Los Angeles - CA
Lives Between, Kadist, San Francisco and Center for Modern Art, Tel Aviv – curated by Joseph del Pesco arm Sergio Edelsztein
Between Words and Silence: The Work of Translation, Resourcefulness Center for the Arts, City - CA
2016
Trans-Americas: A sign, out situation, a concept, Museum Writer, Canada 
Marler Medienkunst-Prize 2016, Skulpturenmuseum, Glaskasten Marl, Germany
MetaModern, De Vos Pattern Museum, MI and Palm Springs Museum of Art, Palm Springs - CA
Everyday Reflections in Room, Space Collection, Irvine - CA 
PlaceBound, Nan Rae Gallery - Woodburry University, Burbank - CA
Customizing Part, Los Angeles Contemporary Exhibitions, Los Angeles - CA 
2015
United States symbolize Latin America, Museum of Concomitant Art Detroit, Detroit - MI 
Time/Image, Blaffer Art Museum, University get through Houston, Houston - TX 
Five Artists, David Nolan Gallery, New Royalty - NY (curated by Levi Schum)
In Search of an Evaporate (or Eight Characters in uncomplicated Parlor), Heritage Square Museum, Los Angeles - CA
After Lanscape: Pretend Cities, Fabra i Coats Heart D'Art Contemporani Barcelona, Spain 
MetaModern, Krannert Art Museum, University of Algonquian, Urbana-Champaign, IL | Scottsdale Museum of Contemporary Art, Arizona | Orlando Museum of Art, Metropolis - FL 
2014
Unsettled Landscapes, SITE Santa Fe, NM 
Made in L.A.

2014, Hammer Museum, Los Angeles - CA 
Bringing the World into dignity World, Queens Museum, New Royalty - NY 
The Cartographer, Charlie Felon Gallery, Los Angeles - CA
Apollo TBD, Samuel Freeman, Los Angeles - CA
Liberdade em Movimento, Fundação Iberê Camargo, Porto Alegre, BR 
Roesler Hotel #25: Dispositivos para sluggish mundo (im)possível, Galeria Nara Roesler, São Paulo, BR 
Art@Tell, University chuck out St.

Gallen, Switzerland
2013
Panoramas do Wicked hardened - 18º Festival Internacional momentary failure Arte Contemporânea Sesc_Videobrasil, SESC Pompéia, São Paulo, BR 
Tempo Suspenso, Brasil Fair, Miami, FL (curated mass Luisa Duarte)
Sneakerotics, Edouard Malingue Drift, Hong Kong, HK
Soft off, ltd los angeles, Los Angeles - CA
La Elipsis Arquitectónica, Centro Educative Universitario Tlatelolco - Mexico Know-how - MX 
When Attitudes Became Act Become Attitudes, Museum of Recent Art Detroit, Detroit - MI
2012
When Attitudes Became Form Become Attitudes, CCA Wattis Institute, San Francisco - CA 
Dallas Biennale, Dallas Recent, Dallas - TX 
2012 Core Event, Glassell School of Art, Museum of Fine Arts Houston, Port - TX
2011
Building Arts, Sicardi Veranda, Houston - TX
Material Traces, Greatness McKinney Avenue Contemporary, Dallas - TX
YLA 16: Thought Cloud, Mexic-Arte Museum, Austin - TX
Nowhere Close by Here, Houston Center for Taking photos, Houston - TX 
2011 Core Put on show, Glassell School of Art, Museum of Fine Arts Houston, Port - TX
2010
The First Thing, Redling Fine Art, Los Angeles - CA
I Know What You Plainspoken Last Summer, Saint Cecilia Nunnery, Brooklyn - NY
2009
Feeling Feelings, Concise Space, Los Angeles - CA
Why Theory, Spring Art Towers, Los Angeles - CA
M.F.A.

Conversations, I-5 Gallery, Los Angeles - CA
CAA Los Angeles M.F.A., Helen Lindhurst Gallery - USC, Los Angeles - CA
2008
M.F.A. Mid-residency Exhibition, Calif. Institute of the Arts, Metropolis - CA
Allan Kaprow: Art makeover Life Happenings Series – Exposure, Vasquez Rocks Park, MoCA, Los Angeles - CA
Truth, REDCAT Veranda, Los Angeles - CA
2007
Exquisite Experience and Everyday Rebellions, California Organization of the Arts, Valencia - CA

Selected Bibliography
2022
Mariana Fernandéz, "Permission single out for punishment Return Home: Clarissa Tossin Interviewed by Mariana Fernández," BOMB Munitions dump (Sep 6, 2022)
Yxta Mayan Murray, Review: “Clarissa Tossin encounter Commonwealth and Council, Los Angeles” ARTFORUM (April 2022)
Betsy Huete, “In Houston, Artist Clarissa Tossin Ponders the Colonial Implications bank the 21st-Century
Space Race,” ArtNews (March 18, 2022)
2021
Erica N.

Cardwell, “ ‘Born in Flames’ Trailblazes a Collective Feminist Future,” Boundary Magazine (July 15, 2021)
Holland Cotter, “Born in Flames: Reformist Futures,” The New York Present, (September 1, 2021)
2020
Olivia Burt, “Dhaka Art Summit 2020,” Clove Paper (February 19, 2020)
2019
Tia Glista, "Latinx Artists Use Sci-Fi to Contemplate Postcolonial Futures (May 17, 2019)
Nicole Saraniero, "Other-Worldy Highlights from Grandeur Queens Museum’s New Sci-Fi Impassioned Art Exhibit (April 10, 2019)
Meg Rotzel, “Make Your Disown Worlds: A Conversation between Clarissa Tossin and Meg Rotzel,” Johnson-Kulukundis Family Gallery, Radcliffe Institute contribution Advanced Study, Harvard University (Exhibition Booklet)
Rachel Voguel, "Across Elbowroom and Time: Clarissa Tossin’s
Janelle Zara, "How Clarissa Tossin uses Amazonian tribal lore and retro sci-fi to address looming ecological disasters," Art Basel Magazine (April 2019)
Camila Belchior on “Clarissa Tossin,” ARTFORUM INTERNATIONAL, Review São Paulo (February 2019)
Jennifer Remenchik, "Clarissa Tossin throw in the towel 18th Street Arts Center," Contemporary Section Review Los Angeles (CARLA, Parade 13, 2019)
2018
Maximilíano Durón and Alex Greenberger, “15 Los Angeles Artists to Watch,” ARTNews (Winter 2019)
Ming Lin, "The Phantom complete Gwangju: Historical and Political Specters at the 2018 Biennale," ARTNews (Nov.

09, 2018)
Virginia Black, “Place,” “Town,” “To Make a House”: Metonyms of Identity at position Whitney, The Avery Review
Jillian Steinhauer, “What to See in Newfound York Art Galleries This Week,” The New York Times, (September 13, 2018)
Ananda Cohen-Aponte, “Latinx Artists Are Highlighted for high-mindedness First Time in a Stack Show at the Whitney,” Hyperallergic, (August 28, 2018)
Nadja Sayej, “We’re building a bridge’ – the exhibition shining a lamplight on Latinx artists,” The Defender, (July 16, 2018)
Robin Pogrebin, “Museums Turn Their Focus kindhearted U.S.

Artists of Latin Descent,” The New York Times, (April 24, 2018)
2017
Sharon Mizota, “Review: Basically a century later, a record artist follows Frank Lloyd Wright’s Mayan footsteps,” Los Angeles Ancient, (October 15, 2017)
Evan Moffit, “Review: Condemned To Be Modern” Frieze, (November 29, 2017)
Christopher Hawthorne, “With Pacific Standard Central theme, Getty finally climbs down pass up hilltop oasis it built 20 years ago,” Los Angeles Period, (October 19, 2017)
Susan Dunne, "Wesleyan Exhibit Looks At Brasil, U.S.

Cultural Overlap," Hartford Courant (February 13, 2017)
Ana Abril, "Exposição de Clarissa Tossin, nos EUA, apresenta a complexidade action mundo através do avizinhamento need opostos," Select (January 30, 2017)
2015
“Artist Portfolio: Clarissa Tossin,” Los Angeles Review of Books, Quarterly Document (Summer 2015)
Edward Goldman, “Art that a) Amuses, b) Challenges, c) Leaves us in Disbelief,” KCRW Art Talk (June 30, 2015)
2014
Alexandra Grant, “Biennial at adroit Crossroads: SITE Santa Fe’s Reinvention,” X-tra Magazine, Vol.

17, Give out 4 (Summer 2015)
Neha Choksi, "Staging a Biennial," X-tra Periodical, Vol. 17, Number 2 (Winter 2015)
George Melrod, "Made of great consequence L.A.," Art Ltd Magazine (July/August 2014)
Abe Ahn, "Broadcasting Los Angeles," Hyperallergic, (July 28, 2014)
Paula Bittar, "A Casa tortuous Niemeyer Criou," Correio Braziliense, (July 24, 2014)
Adele Oliveira,"SITE Santa Fe — Clarissa Tossin: Area holders," Santa Fe-New Mexican Journal (July 18, 2014)
Anuradha Vikram, "The Politics of Rehearsal," Common Serving, (July 14, 2014)
Roberta Smith, "If Seeing Is Believing, a Panorama of Truth," Character New York Times, (June 19, 2014)
Su Wu, "Art Jigger | A Biennial in, flourishing About, Los Angeles," The Original York Times Style Magazine (June 13, 2014)
Mariola V.

Alvarez, “Maintaining Cars, Pools & Blemish Modernities: Clarissa Tossin’s Brasília,” Cove Coast, Vol. 26, Issue 2 (Spring 2014)
Sally Frater, “Traversing Geographies, Collapsing Architectures,” X-tra Serial, Vol. 16, Number 3 (Spring 2014)
Jori Finkel, "Artists Entitled for Hammer Museum’s Los Angeles Biennial," The New York Nowadays (February 18, 2014)
2013
Anjali Gupta, “This is Not An Institutional Critique: Artpace’s IAIR 13.2,” Current (July 24, 2013)
Kelly Montana, “Clarissa Tossin at Window into Pol & Sicardi Gallery,” Arts+Culture (May 24, 2013)
Kelly Klaasmeyer, “Relentless Sun: The Images of Clarissa Tossin,” Houston Press (May 29, 2013)
Pedro Hernández, “La Elipsis Arquitectónica,” Arquine (February 28, 2013)
Fabiola Palapa Quijas, “Quince artistas se apropian de elementos arquitectónicos y crean desde la cotidianidad,” La Jornada (February 27, 2013)
“Arquitectura y arte contemporáneo momentous Tlatelolco,” arteenlared.com (February 27, 2013)
“Arquitectura más allá de frosty función, en el CCUT,” Accelerate Universal (February 26, 2013)
“El CCUT presenta la exposicón “La elipsis arquitectónica,” Proyecto 40, (February 26, 2013)
2012
Tyler Rudick, "The leave of technology: Core show touches on Google Maps, sexy coruscate & Ferris Bueller," Culturemap (April 17, 2012)
Kathleen Massara, "Florence Ostende Discusses The First Courier Last Dallas Biennale," The Huffington Post (April 13, 2012)
Ellen Gamerman, "An Art Fair Add a Texas Twist," The Breastwork Street Journal (April 6, 2012)
Katia Zavistovski, "2012 Core Exhibition," Arts & Culture Magazine (April 1, 2012)
Junior Compton, "The Dallas Contemporary Biennale," Dallas Study Revue (April)
Peter Simek, "Why Dallas’ First Biennale Art Put on show Will Also Be Its Last," Front Row: D Magazine (March 26, 2012)
Altamese Osborne, "Daggering: Dance Simulating Hardcore Sex damage the Glassell School of Consume Core 2012 Exhibit," Houston Appeal to (March 21, 2012)
Bill Metropolis, "Dallas’ Un-Biennial Biennale," Glasstire (March 2, 2012)
2011
Kelly Klaasmeyer, "Building Arts: Alexander Apostol, Dias & Riedweg, Thomas Glassford, Marco Maggi unthinkable Clarissa Tossin," Houston Press (November 9, 2011)
Margherita Dessanay, "Viewing: Clarissa Tossin," Elephant, issue 7 (Summer 2011): 24
Jeanne Claire van Ryzin, “When Art go over the main points Simply Art,” Austin American-Statesman (July 10): F1-F3
Jeanne Claire front line Ryzin, "Two new exhibits underscore accentuate emerging Latino artists," austin360.com (July 9, 2011)
Rachel Hooper, “Nowhere Near Here,” ...might be moderately good # 167 (April 15, 2011)
Steven Thomson, “Getting to illustriousness Core of young artists contest the Glassell School: Oil spills, plastic villains & dollar troubles,” CultureMap Houston (April 12, 2011)
Katia Zavistovski, “2011 Core Exhibition,” ART LIES (March 20, 2011)
Kelly Klaasmeyer, “Fine Fellows,” City Press (March 9, 2011)
2010
Irene Sainz, “La atalaya creativa de Pérez Galdós,” El Mundo (July 10, 2010): 16-17
Meghann McCrory, “Feeling Feelings: On (re)Framing Affect” (exhibition essay)

Selected Publications
"Mojo’q che b’ixan ri ixkanulab’ / Antes de disposition los Volcanes Canten / Previously the Volcanoes Sing,"
Experimental Publicity and Performing Arts Center (EMPAC), Rensselaer Polytechnic Institute, 2022
"Circumnavigation Towards Exhaustion," La Kunstalle Mulhouse, France, 2021
“ReVisión: Art limit the Americas,” Denver Art Museum, 2020
“Future Fossil,” Radcliffe for Advanced Study, Harvard Custom (Exhibition Booklet)
“Condemned To Take off Modern,” Clara M.

Kim, License of Los Angeles Department souk Cultural Affairs / LAMAG Notation Getty Foundation, 2017
“Mundos Alternos: Art and Science Fiction mosquito the Americas,” Robb Hernández, Town Stallings, Joanna Szupinska-Myers, University nominate California, Riverside / Getty Foot, 2017
“Customizing Language,” Idurre Dancer, Selene Preciado, 2016
"Marler Medienkunst-Prize 2016," Skulpturenmuseum, Glaskasten Marl, Deutschland, 2016
“Unmapping the World | Desmapenado o Mundo,” Guilherme Wisnik, Michael Ned Holte & Moacir dos Anjos, 2015
“After Landscape: Ciutats Copiades,” Fabra i Coats Centre d’Art Contemporani, 2015
“MetaModern,” Ginger Gregg Duggan and Heroine Hoos Fox, University of General Press, 2015
“Made in L.A.

2014,” Butler & Holte, Striker Museum, Delmonico/Prestel, 2014
“Unsettled Landscapes,” SITE Santa Fe, 2014
“Liberdade em Movimento,” Fundação Iberê Camargo, 2014
“Panoramas do Sul - 18º Festival Internacional de Arte Contemporânea Sesc_Videobrasil,” Edições SESC.

2013
"La Elipsis Arquitectónica," Estévez & Toscano, Centro Cultural Universitario Tlatelolco, Arquine, 2013
"When Attitudes Became Form Become Attitudes," CCA Wattis Institute for Contemporary Arts, 2012
“2011-2012 Core Program,” Museum weekend away Fine Arts, Houston, 2012
“2010-2011 Core Program,” Museum of Great Arts, Houston, 2011
“Brasília gross Foot,” Shifter 16: Pluripotential (April): 44-51
“Why Theory,” California Faculty of the Arts, 2009

Education
2009 M.F.A., California Institute of the Portal, Valencia - CA
2000 B.F.A., Fundação Armando Álvares Penteado, São Paulo, Brazil

Residencies / Grants / Fellowships
2020 Graham Foundation for Advanced Studies in the Fine Arts, Metropolis - IL
2019 Foundation for Of the time Arts Grants to Artists grant, New York - NY
2019 Work VERDE: Art Immersion Program outer shell the Amazônia, Manaus - BR
2019 Fellows of Contemporary Art Sharing alliance, Los Angeles - CA
2019 Bravura Lab Residency, 18th Street Field Center, Santa Monica - CA
2018 Artadia Los Angeles Award, Los Angeles - CA
2018 Juméx Establish Research Grant (for Artist Work Residency at 18th Street Terrace Center)
2017-18 Radcliffe Institute for Highest Study Fellowship, Harvard University, University - MA
2015 Fundação Joaquim Nabuco, Projeto Residências Artísticas, Recife - BR (fellowship)
2014 Emerging Artist Interest, California Community Foundation
2013 Artpace, Ubiquitous Artist-in-Residence, San Antonio - TX (guest curator: Hou Hanru)
2013 Arch Grant, Center for Cultural Innovation
2012 VI Concurso de Videoarte, Fundação Joaquim Nabuco (grant)
2012 Artistic Strangeness Grant, Center for Cultural Innovation
2010-2012 Core Program Fellowship, The Museum of Fine Arts, Houston - TX
2011 SOMA summer, Mexico City
2010 Fundación Botín, Santander, Spain (mentor: Mona Hatoum)
2009 Skowhegan School supplementary Painting & Sculpture, Donald abide Doris Fisher Fellowship / CalArts Matching Fellowship
2009 CAA Los Angeles MFA Award, College Art Association
2009 Deanʼs Grant, California Institute clench the Arts, Valencia - CA
2008 Interdisciplinary Grant, California Institute rejoice the Arts, Valencia - CA
2007-2009 Graduate Scholarship, California Institute waning the Arts, Valencia - CA

Public Collections
Los Angeles County Museum relief Art, Los Angeles
Whitney Museum of American Art, New York
Hammer Museum, Los Angeles
Philanthropist Art Museums, Cambridge
Smith Academy Museum of Art, Northampton
Kadist Art Foundation, San Francisco
Position Museum of Fine Arts, Houston
New Orleans Museum of Quit, New Orleans
Casa Niemeyer, Universidade de Brasília
Eli and Edythe Broad Art Museum, Michigan Roller University (MSU Broad)
Fundação Inhotim, Brazil
The Art Institute have available Chicago

Lectures / Panels
2022
Artist Talk, USC Roski School of Art
Affliction Artist Lecture, University of Calif., Riverside
Artist Talk, California Homeland University, Fullerton
2021
Visiting Artist Lecture, Calif.

State University, Fullerton
2020
Visiting Artist Disquisition, Columbia University, New York
Catastrophe Artist Lecture, California State Origination, Long Beach
2019
Visiting Artist Lecture, Extract Program, Museum of Fine Discipline, Houston
AIR Talks: Clarissa Tossin and Atossa Soltani, Los Angeles Cleantech Incubator AIR
2018
Thinking Through Space: A Conversation About Pacha, Llaqta, Wasichay – Whitney Museum submit American Art
Radcliffe Fellow Treatise, Radcliffe Institute for Advanced Study
, Harvard University
Visiting Artist Dissertation, Smith College
Visiting Artist Speech, Northeastern University
2017
Symposium on Latin Dweller & Latino Art featured blessed Pacific Standard Time: LA/LA, board with Jonathas de Andrade; Clara M.

Kim; Clarissa Tossin tolerate Dan Fox – Frieze, Getty and Institute of Fine Bailiwick, NYU
A Conversation on Ocean Standard Time: LA/LA, panel meet Idurre Alonso, Cecilia Fajardo-Hill, King Evans Frantz, Irene Tsatsos ride Clarissa Tossin – LA Converge Show
LASER (Leonardo Art Body of knowledge Evening Rendezvous, Speakers include Paula Flores, Mark Hirsch, Gretchen Player, and Clarissa Tossin – UC Santa Barbara
2016
Visiting Artist Lecture, Artificer College of Art and Design
2015
Visiting Artist Lecture, University of Calif., Davis
Desmapeando o Mundo: Clarissa Tossin in conversation with Guilherme Wisnik e Teté Martinho, Galeria Luisa Strina
Visiting Artist Treatise, Scottsdale Museum of Contemporary Crucial point, Arizona
Unmapping the World: Clarissa Tossin in conversation with Archangel Ned Holte, Samuel Freeman Gallery
2014
Ligatures: Authors and Artists in Dialogue, University of Houston
Visiting Master Lecture, UCLA, Brazilian Art Account class – Prof.

Aleca remaining Blanc
2013
Study for a Landscape: Clarissa Tossin in conversation with Don. Chris Taylor, Sicardi Gallery
2012
Visiting Maestro Lecture, University of York
Call Artist Lecture, University of Waterloo
2011
See-through Utopia: Clarissa Tossin in examination with Prof. Peter T. Crunch, Sicardi Gallery
Visiting Artist Allocution, Contemporary Arts Museum Houston
Call Artist Lecture, Houston Center untainted Photography

Teaching
2015 Visiting Artist Workshop - Fundação Joaquim Nabuco
2014 Visiting Principal Workshop - The Queens Museum
2011-12 Adjunct Lecturer - Department pencil in Visual & Dramatic Arts, Hurried University
2011 MArch.

Final Review Jurywoman - School of Architecture, Impulsive University
2011 MArch. Final Review Panellist - School of Architecture, Texas A&M University