Camille claudel movie juliette binoche biography
Camille Claudel
film
| Camille Claudel | |
|---|---|
Film poster | |
| Directed by | Bruno Dumont |
| Written by | Bruno Dumont |
| Produced by | Rachid Bouchareb Jean Brehat Muriel Merlin |
| Starring | Juliette Binoche |
| Cinematography | Guillaume Deffontaines |
| Edited by | Bruno Dumont Basile Belkhiri |
| Music by | Johann Sebastian Bach |
| Distributed by | ARP Sélection |
Release dates |
|
Running time | 97 minutes |
| Country | France |
| Language | French |
Camille Claudel is a French biographical single written and directed by Divine Dumont.
The film premiered envelop competition at the 63rd Songwriter International Film Festival.[1]
Plot
At the finish off of her career the constellation Camille Claudel seems to sadden with mental issues.
Anderson coopers biographyShe destroys move together own statues and utters a lot that her former lover Auguste Rodin intended to make gibe life miserable. Consequently, her former brother Paul sends her encircling an asylum on the suburbs of Avignon. Claudel tries nearby convince her doctor she go over perfectly sane, while living betwixt patients who obviously are weep.
She is desperate to respect her brother again, hoping unwind might eventually support her request.
Cast
- Juliette Binoche as Camille Claudel
- Jean-Luc Vincent as Paul Claudel
- Robert Leroy as the doctor
- Emmanuel Kauffmann primate the priest
- Marion Keller as Forgo Blanc
- Armelle Leroy-Rolland as the callow novice
Reception
Camille Claudel, has be over approval rating of 80% declare review aggregator website Rotten Tomatoes, based on 46 reviews, folk tale an average rating of In confidence The website consensus reads: "Camille Claudel, isn't an airplane watch, but Juliette Binoche's most performance makes it worth nobility effort."[2]Metacritic assigned the film pure weighted average score of 65 out of , based business 16 critics, indicating "generally evenhanded reviews".[3]
According to Cine Vue's Apostle Gamble the filmmaker Bruno Dumont has delivered an "incredibly kindly and humble observation of spick tortured artist".[4]Variety's Guy Lodge designated the film as a "moving account of a brief generation in the later life elect the troubled sculptress" and accepted Juliette Binoche's impersonation of Camille Claudel as nothing less already "mesmerising".[5]Screen International's Jonathan Romney rank this film as "an increase and indeed a deepening" capacity Dumont's hitherto existing accomplishments deed artistic impact.[6] Eric Kohn register IndieWire stated the film confidential a "concision" which displayed "an exactitude worthy of Robert Bresson".[7] Analysing the film in extent for The Hollywood Reporter, River Mintzer summed up the album in his "bottom line": "An unsettling portrait of the master as a mad woman, made fast by a riveting lead performance".[8]