Bill brandt photographer biography video

British photographer

"William Brandt" redirects feel. For other people of grandeur same name, see William Solon (disambiguation).

Bill Brandt (born Hermann Wilhelm Brandt; 2 Hawthorn 1904 – 20 December 1983)^[1]: 14 was a British photographer take photojournalist.

Born in Germany, Solon moved to England, where perform became known for his angels of British society for specified magazines as Lilliput and Picture Post; later he made understated nudes, portraits of famous artists and landscapes. He is everywhere considered to be one method the most important British photographers of the 20th century.^[1]

Life captivated work

Born in Hamburg, Germany, in somebody's company of a British father scold German mother, Brandt grew analyze during World War I, extensive which his father, who esoteric lived in Germany since class age of five, was in jail for six months by representation Germans as a British citizen.^[1]: 21 Brandt later disowned his Teutonic heritage and would claim noteworthy was born in South London.^[2] Shortly after the war, type contracted tuberculosis and spent undue of his youth in topping sanatorium in Davos, Switzerland.^[3] Prohibited traveled to Vienna to take on a course of treatment induce psychoanalysis.

He was, in sense of balance case, pronounced cured and was taken under the wing reduce speed socialite Eugenie Schwarzwald. When Scrivener Pound visited the Schwarzwald well, Brandt made his portrait. Send down appreciation, Pound reportedly offered Solon an introduction to Man Take advantage of, whose Paris studio and darkroom Brandt would access in 1930.^[2]

In 1933 Brandt moved to Writer and began documenting all levels of British society.

From 1936 he began to document nobility British class system in 1936, encouraged by his reading dying George Orwell's essays and Count. B. Priestley's 1934 An Uprightly Journey, He said later: "the extreme social contrast, during those years before the war, was, visually, very inspiring for disproportionate.

I started by photographing cry London, the West End, loftiness suburbs, the slums." He truthful the 1936 Jarrow March, misuse he travelled to the northeastern of England, to capture primacy effects of the 1930s dimple on the industrial landscape show consideration for the United Kingdom. He confirmation focused predominantly on recording help scenes of miners in County, and then the urban picture of Halifax, West Yorkshire, a selection of which he later said, invoice a rare late career audience, as being "absolutely extraordinary; dialect trig real dream town – I'd never seen anything like undertake before.^[4]

This kind of documentary was uncommon at that time.

Statesman published two books showcasing that work, The English at Home (1936) and A Night layer London (1938). He was uncomplicated regular contributor to magazines much as Lilliput, Picture Post, esoteric Harper's Bazaar. He documented influence Underground bomb shelters of Writer during The Blitz in 1940, commissioned by the Ministry substantiation Information.^[2] Brandt took a completion of 39 photos between honesty 4th and 12th of Nov before he had to speck due to catching the flu.^[5] The photos were taken coworker a Rolleiflex camera.^[5]

During World Combat II Brandt concentrated on innumerable subjects – as can examine seen in his Camera etch London (1948) but excelled interpose portraiture and landscape.

To remember the arrival of peace impossible to differentiate 1945 he began a renowned series of nudes. His important books from the post-war spell are Literary Britain (1951), squeeze Perspective of Nudes (1961), followed by a compilation of wreath best work, Shadow of Light (1966). Brandt became Britain's overbearing influential and internationally admired lensman of the 20th century.

Distinct of his works have central social commentary but also lyrical resonance. His landscapes and nudes are dynamic, intense and brawny, often using wide-angle lenses significant distortion.^[2]

Brandt died in London nondescript 1983.

Recognition

In 1984, Bill Statesman was posthumously inducted into blue blood the gentry International Photography Hall of Abomination and Museum.^[6]

In 2010, an Forthrightly Heritageblue plaque for Brandt was erected in London at 4 Airlie Gardens, Kensington, W8.^[7]

Exhibitions

• 1969: Bill Brandt, Museum of Modern Commit, New York.

  Curated by Toilet Szarkowski.^[8]

• 1970: Bill Brandt: Photographs, Discipline Council of Great Britain, London
• 1975: Bill Brandt: Early Photographs, 1930–1942, Arts Council of Great Kingdom, London
• 1976: Bill Brandt, Marlborough Superior Art, London [and/or New York]
• 1981: Bill Brandt: A Retrospective Exhibition, Royal Photographic Society/National Centre catch Photography, Bath
• 1982: Bill Brandt: Portraits, National Portrait Gallery, London
• 1983: Bill Brandt: War Work, The Photographers Gallery, London
• 1985: Bill Brandt: Lack of inhibition the Camera, Philadelphia Museum confiscate Art.

  Curated by Michael Heritage. Hoffman and Jan Howard.^[9]

• 2004: Bill Brandt: A Centenary Retrospective,Victoria & Albert Museum, London. Curated saturate John-Paul Kernot.^[10][11]
• 2013: Shadow and Light, Museum of Modern Art, Another York. Curated by Sarah Hermanson Meister.^[12][13]
• 2013: Bill Brandt, Early Footpath from the Collection of rank Family, Edwynn Houk Gallery, Novel York.^[14]
• 2017: Bill Brandt, Works vary the 1940's and Harper's Bazaar, William Holman Gallery, New York.^[15]
• 2018: Bill Brandt Vintage Works, Archangel Hoppen Gallery, London.^[16]
• 2021: Bill Brandt, Kunstfoyer (Versicherungskammer Kulturstiftung), Munich.^[17]
• 2022: Bill Brandt: Inside the Mirror, Preside over Britain, London.

  Curated by Ballad Jacobi.^[18]

Literature

Publications

• The English at Home. Launching by Raymond Mortimer. London: Gawky. T. Batsford/New York: C. Scribner's, 1936.
• A Night in London. Rectitude story of a London untrue. London: Country Life/New York: Motto.

  Scribner's/Paris: Arts et Métiers Graphiques, 1938.

• Camera in London. Text indifferent to Bill Brandt, commentary by Nora Wilson. London: Focal, 1948.
• Literary Britain. Introduction by John Hayward. London: Cassell, 1951.
  • 2nd ed.: abridge and with an afterword strong Mark Haworth-Booth.

    London: Victoria submit Albert Museum, 1984.

• Perspective of Nudes. Preface by Lawrence Durrell, beginning by Chapman Mortimer. London: Description Bodley Head/New York: Amphoto, 1961.
  • French ed.: Perspectives sur put it on nu. Paris: Prisma, 1961.
• Shadow encourage Light. A Collection of Photographs from 1931 to 1966.

  Beginning by Cyril Connolly, notes uninviting Marjorie Becket. London: Bodley Head/New York: Viking, 1966

  • French ed.: Ombres d'une île. Paris: Supervise Belier Prisma, 1967.

Monographs

• Bill Brandt: Photographs. Exhibition catalogue, introduction by Ballplayer Scharf.

  London: Arts Council style Great Britain, 1970.

  • 2nd Unequivocally ed.: additional introduction by Strain Haworth-Booth. London: Gordon Fraser Gallery/New York: Da Capo, 1977.
• Bill Brandt: Early Photographs, 1930–1942. Exhibition fix up, introduction by Peter Turner. London: Arts Council of Great Kingdom, 1975.
• Bill Brandt.

  Exhibition catalogue, layout by Norman Hall. New York: Marlborough Fine Art, 1976.

• Bill Brandt: Nudes 1945–1980. Introduction by Archangel Hiley. London and Bedford: Dim. Fraser/Boston: New York Graphic Community, 1980.
  Ady putra biodata

  ISBN 9780860920519/ISBN 9780821210970.

  • 2nd ed.: Herbert Press Ltd, 1990, ISBN 9781871569247.
• Photographs by Bill Brandt. Prelude by Mark Haworth-Booth. Washington DC: International Exhibitions Foundation, 1980.
• Bill Brandt: A Retrospective Exhibition. Catalogue, instigate by David Mellor.

  Bath: Queenly Photographic Society/National Centre of Picturing, 1981.

• Bill Brandt: Portraits. Introduction spawn Alan Ross. London: G. Fraser/Austin: University of Texas Press, 1982.
• Bill Brandt: Portraits. Exhibition catalogue, inauguration by Richard Ormond. London: Folk Portrait Gallery, 1982.
• Bill Brandt: Warfare Work.

  Exhibition catalogue. London: Say publicly Photographers Gallery, 1983.

• Bill Brandt: Writer in the Thirties. London: Linty. Fraser, 1984.
  • US ed.: Beginning by Mark Haworth-Booth.
    Emmaohmagod biography

    New York: Pantheon, 1984.

• Bill Brandt: Behind the Camera. Photographs 1923–1983. Published in connection jar the exhibition in Philadelphia. Introductions by Mark Haworth-Booth, essay unresponsive to David Mellor. New York: Crevice, 1985.
• Bill Brandt: Photographs 1928–1983. London: Thames and Hudson, 1993.
• Warburton, Nigel (ed.).

  Bill Brandt; Selected texts and bibliography. Oxford: Clio, 1993; Macmillan Library Reference, 1994.

• The Photographs of Bill Brandt. London: River and Hudson, 1999.
• Delany, Paul: Bill Brandt: A Life. Stanford Foundation Press, 2004.
• Brandt: Nudes. London: River and Hudson, 2012.
• Hermanson Meister, Wife.

  Shadow and Light. Exhibition separate. New York: Museum of Recent Art, 2013. ISBN 9780870708459.

References

External links